{"id":1212,"date":"2015-11-20T15:32:03","date_gmt":"2015-11-20T14:32:03","guid":{"rendered":"http:\/\/www.andrei-nakov.org\/blog\/?p=1212"},"modified":"2018-03-06T22:54:20","modified_gmt":"2018-03-06T21:54:20","slug":"le-carre-noir-une-decouverte-fantaisiste","status":"publish","type":"post","link":"https:\/\/andrei-nakov.org\/ru\/le-carre-noir-une-decouverte-fantaisiste\/","title":{"rendered":"Le Carr\u00e9 noir : Une d\u00e9couverte fantaisiste"},"content":{"rendered":"

Depuis plusieurs jours, je suis bombard\u00e9 par des questions concernant une \u00ab\u00a0d\u00e9couverte sensationnelle\u00a0\u00bb de la Galerie Tr\u00e9tiakov de Moscou qui, ayant proc\u00e9d\u00e9 \u00e0 des radiographies du Carr\u00e9 noir (1915) de Malewicz aurait trouv\u00e9 des images \u00ab\u00a0in\u00e9dites\u00a0\u00bb sous la surface visible de cette peinture.<\/p>\n

L\u2019\u00e9moi concerne une \u2013 ou deux\u00a0? \u2013 compositions (plut\u00f4t des \u00e9bauches ou des restes d\u2019autres esquisses) qui se trouveraient sous la surface de cette peinture, c\u00e9l\u00e8bre depuis sa publication par Miroslav Lamac en 1967. Il y aurait aussi une inscription (de quelle main\u00a0?), mais celle-ci reste encore sujette \u00e0 des futures interpr\u00e9tations\u2026<\/p>\n

Quant \u00e0 la composition qui se trouve sous la couche sup\u00e9rieure du tableau celle-ci m\u2019est connue depuis 20 ans quand, au prix de grands efforts et de d\u00e9marches qui ont dur\u00e9 plusieurs ann\u00e9es et non sans certaines complicit\u00e9s, j\u2019ai pu finalement obtenir du mus\u00e9e moscovite que l\u2019\u0153uvre soit radiographi\u00e9e. J\u2019ai publi\u00e9 cette radiographie, reconstitu\u00e9e \u00e0 partir de plusieurs morceaux, dans le 4\u00e8me volume de ma monographie Kazimir Malewicz, le peintre absolu, Paris, 2007, vol. 4, page 153 dans le chapitre consacr\u00e9 \u00e0 la technique picturale de Malewicz. Le m\u00eame livre fut repris en langue anglaise par les \u00e9ditions Lund Humphries de Londres en 2010 (les radiographies du Carr\u00e9 noir y figuraient \u00e9galement au chapitre 31).<\/p>\n

En son temps, mon \u00e9tude\u00a0a retenu l\u2019attention de quelques sp\u00e9cialistes et fut republi\u00e9e en langue anglaise par la revue scientifique de l\u2019Institut IRSA de Cracovie, Pologne (cf. Devices, Style and Realisation\u00a0: Professionalism in Malewicz’s Painting Technique in Artibus et historiae, n\u00b0 57, vol. XXIX, Vienna-Cracow, 2008, p. 183-239 \u2013 traduction en\u00a0anglais du chap. 31, vol. IV de Kazimir Malewicz\u00a0: le peintre absolu, Thalia \u00e9dition, Paris, 2007). Mon travail fut par ailleurs favorablement comment\u00e9 par la revue anglaise Artwatch\u00a0(vol. 28, 2012).<\/p>\n

En guise de d\u00e9couverte la nouvelle largement diffus\u00e9e par les m\u00e9dias russes \u2013 et fran\u00e7ais\u00a0! — rappelle un bref texte satirique de Victor Chklovski consacr\u00e9 au \u00ab\u00a0R\u00e9veil matin (j\u2019ai publi\u00e9 sa traduction fran\u00e7aise en 1973 dans le volume La marche du cheval,\u00a0Champ Libre, Paris).<\/p>\n

Je suis ravi de constater que des coll\u00e8gues russes se rallient \u00e0 mes postulats de travail avec des radiographies des \u0153uvres, documents que j\u2019exige depuis des ann\u00e9es chaque fois qu\u2019une nouvelle attribution de peinture \u00e0 Kazimir Malewicz m\u2019est soumise. Un seul b\u00e9mol\u00a0: il ne faut pas ignorer les\u00a0radiographies d\u00e9j\u00e0 r\u00e9alis\u00e9es et de surcro\u00eet publi\u00e9es. Ceci avancera l\u2019\u00e9tat des connaissances, \u00e9conomisera du temps et \u00e9vitera\u00a0des\u00a0d\u00e9penses inutiles.<\/p>\n

\"Doctor<\/a>Par contre, je proposerais \u00e0 la Galerie Tretiakov que l\u2019on radiographie la peinture \u00ab\u00a0Doctor Mabuso\u00a0\u00bb attribu\u00e9e d\u2019apr\u00e8s moi de fa\u00e7on incorrecte \u00e0 Malewicz, toile qui depuis la fin des ann\u00e9es cinquante fait partie de la collection de ce mus\u00e9e et \u00e0 ce titre a figur\u00e9 de fa\u00e7on abusive \u00e0 la derni\u00e8re r\u00e9trospective du peintre (2013-2014\u00a0: Amsterdam, Bonn et Tate de Londres). Alors on s\u2019apercevra peut-\u00eatre qu\u2019il s\u2019agit d\u2019une vulgaire \u0153uvre de publicit\u00e9, certes inspir\u00e9e par le supr\u00e9matisme mais qui n\u2019est pas de la main de Malewicz mais de quelques \u00e9l\u00e8ve de Chashnik, ce que du reste est attest\u00e9 par une photographie d\u2019exposition, prise en 1926 et publi\u00e9e \u00e0 l\u2019\u00e9poque. Il s\u2019agit pr\u00e9cis\u00e9ment d\u2019une exposition d\u2019\u00a0\u00ab \u0153uvres d\u00e9coratives\u00a0\u00bb d\u2019\u00e9l\u00e8ves de l\u2019Institut d\u00e9coratif de Leningrad.<\/p>\n

L\u2019agitation au sujet de cette \u00ab\u00a0d\u00e9couverte\u00a0\u00bb r\u00e9cente rappelle les paroles de l\u2019\u00e9crivain fran\u00e7ais Maurice Roche\u00a0\u00ab sans m\u00e9moire tout est neuf\u00a0\u00bb.<\/p>","protected":false},"excerpt":{"rendered":"

Depuis plusieurs jours, je suis bombard\u00e9 par des questions concernant une \u00ab\u00a0d\u00e9couverte sensationnelle\u00a0\u00bb de la Galerie Tr\u00e9tiakov de Moscou qui, ayant proc\u00e9d\u00e9 \u00e0 des radiographies du Carr\u00e9 noir (1915) de Malewicz aurait trouv\u00e9 des images \u00ab\u00a0in\u00e9dites\u00a0\u00bb sous la surface visible de cette peinture. L\u2019\u00e9moi concerne une \u2013 ou deux\u00a0? \u2013 compositions (plut\u00f4t des \u00e9bauches ou…<\/p>\n

Lire la suite<\/a><\/p>","protected":false},"author":2,"featured_media":9610,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-1212","post","type-post","status-publish","format-standard","has-post-thumbnail","category-malewicz","entry"],"yoast_head":"\nLe Carr\u00e9 noir : Une d\u00e9couverte fantaisiste · Andr\u00e9i Nakov, historien d'art<\/title>\n<meta name=\"description\" content=\"Une \u00ab d\u00e9couverte \u00bb de la Galerie Tr\u00e9tiakov qui se r\u00e9v\u00e8le fantaisiste. 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