Awangarda na emigracji<\/a><\/div>","protected":false},"excerpt":{"rendered":"Andrei Nakov donnera une conf\u00e9rence d\u00e9di\u00e9e \u00e0 Kazimir Malewicz et\u00a0W\u0142adyslaw Strzemi\u0144ski au Mus\u00e9e d’Art de Lodz, le 16 mai 2017. Du post-supr\u00e9matisme de Malewicz aux images \u00ab\u00a0post-r\u00e9tiniennes\u00a0\u00bb (powidoki) de Strzeminski; un essai d\u2019interpr\u00e9tation de la premi\u00e8re peinture post-abstraite. La derni\u00e8re p\u00e9riode picturale de Malewicz, en particulier sa production post-supr\u00e9matiste des ann\u00e9es 1926-1934, reste \u00e0 ce…<\/p>\n
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Du post-supr\u00e9matisme de Malewicz aux images \u00ab\u00a0post-r\u00e9tiniennes\u00a0\u00bb (powidoki) de Strzeminski; un essai d\u2019interpr\u00e9tation de la premi\u00e8re peinture post-abstraite. La derni\u00e8re p\u00e9riode picturale de Malewicz, en particulier sa production post-supr\u00e9matiste des ann\u00e9es 1926-1934, reste \u00e0 ce…Lire la suite\" \/>\n<meta property=\"og:url\" content=\"https:\/\/andrei-nakov.org\/ru\/du-post-suprematisme-de-malewicz-aux-images-post-retiniennes-de-strzeminski\/\" \/>\n<meta property=\"og:site_name\" content=\"Andr\u00e9i Nakov, historien d'art\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-05T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-27T16:25:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2017\/05\/Wladyslaw-Strzeminski.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1134\" \/>\n\t<meta property=\"og:image:height\" content=\"815\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Andr\u00e9\u00ef Nakov\" \/>\n<meta name=\"twitter:card\" 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![\"Strzeminski,](\"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2017\/05\/Strzeminski-Powidok-1949.jpg\")
<\/a>La derni\u00e8re p\u00e9riode picturale de Malewicz, en particulier sa production post-supr\u00e9matiste des ann\u00e9es 1926-1934, reste \u00e0 ce jour peu comprise, si non incomprise. Il en est de m\u00eame pour les peintures \u00ab\u00a0post-r\u00e9tiniennes\u00a0\u00bb (powidoki<\/i>) de Strzeminski dont le rapport avec sa peinture \u00a0\u00ab\u00a0constructiviste\u00a0\u00bb des ann\u00e9es vingt et trente semble, encore, peu convaincant.<\/p>\n