{"id":11731,"date":"2020-09-20T14:25:16","date_gmt":"2020-09-20T12:25:16","guid":{"rendered":"https:\/\/andrei-nakov.org\/?page_id=11731"},"modified":"2020-09-21T23:15:03","modified_gmt":"2020-09-21T21:15:03","slug":"vladimir-tatline","status":"publish","type":"page","link":"https:\/\/andrei-nakov.org\/ru\/vladimir-tatline\/","title":{"rendered":"Vladimir Tatline"},"content":{"rendered":"\n<p class=\"has-drop-cap wp-block-paragraph\">L\u2019int\u00e9r\u00eat pour l\u2019\u0153uvre de Vladimir Tatline marque les d\u00e9buts du travail d\u2019Andrei Nakov dans le domaine de l\u2019art moderne russe. Il se manifeste d\u00e8s 1972 dans ses commentaires des textes de Nikola\u00ef Taraboukine (<a href=\"\/bibliographie#1972\"><em>Le Dernier<\/em> <em>tableau<\/em><\/a>). Suit le catalogue de l\u2019exposition <em><a href=\"\/bibliographie#1973\">Tatlin\u2019s Dream<\/a><\/em>, Londres 1973 et le travail pour la reconstruction des \u0153uvres des fr\u00e8res Stenberg (<em><a href=\"\/bibliographie#1975\">2 Stenberg 2<\/a><\/em>, Paris-Londres, livre et exposition de 1975, premi\u00e8re publication majeure dans ce domaine depuis le livre pr\u00e9curseur de Camilla Gray (1962).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019interpr\u00e9tation de l\u2019\u0153uvre de Tatline et de certains de ses \u00e9l\u00e8ves (Mitouritch) occupe une bonne place dans les livres <em><a href=\"\/bibliographie#1981\">Abstrait\/concret&nbsp;: art non-objectif russe et polonais<\/a><\/em>, Paris 1981 et <em><a href=\"\/bibliographie#1984\">L\u2019avant-garde russe<\/a><\/em>, \u00e9d. Hazan, Paris 1984, dont la version russe parait en 1991 \u00e0 Moscou, ce apr\u00e8s d\u2019autres \u00e9ditions europ\u00e9ennes (italienne, allemande) publi\u00e9es simultan\u00e9ment en 1984.<\/p>\n\n\n\n<div class=\"wp-block-image image-border\"><figure class=\"alignright size-intermediaire\"><a href=\"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline.jpg\" data-rel=\"lightbox-image-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" width=\"347\" height=\"450\" src=\"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-347x450.jpg\" alt=\"Les Reliefs de Tatline\" class=\"wp-image-11170\" srcset=\"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-347x450.jpg 347w, https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-231x300.jpg 231w, https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-790x1024.jpg 790w, https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-116x150.jpg 116w, https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline-768x996.jpg 768w, https:\/\/andrei-nakov.org\/wp-content\/uploads\/2019\/12\/tatline.jpg 1140w\" sizes=\"(max-width: 347px) 100vw, 347px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Cette phase de son travail culmine \u00e0 la fin des ann\u00e9es 1980 dans l\u2019exposition <em><a href=\"\/bibliographie#1984\">Dada and Constructvism<\/a><\/em> (Londres 1984, Tokyo 1988 et Madrid 1989).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ses recherches seront entre temps compl\u00e9t\u00e9es par l\u2019\u00e9tude exhaustive des archives moscovites de l\u2019artiste russe (\u00e0 l\u2019\u00e9poque CGALI, maintenant RGALI) o\u00f9 il \u00e9tablira en 1988-1990 le r\u00e9pertoire complet des dessins de Tatline dans cette collection et, par la suite, de celles du mus\u00e9e de l\u2019architecture Chtchoussev de Moscou. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le livre consacr\u00e9 aux <strong>Reliefs de Tatline<\/strong> constitue ainsi l\u2019aboutissement de nombreuses ann\u00e9es de recherche. Il propose aussi une interpr\u00e9tation nouvelle d\u2019une partie de la cr\u00e9ation cubiste de Picasso, le moment de ses \u00ab&nbsp;nature mortes&nbsp;\u00bb \u00e9lev\u00e9es \u00e0 l\u2019automne 1913 en \u0153uvres d\u2019art \u00e0 part enti\u00e8re par Guillaume Apollinaire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 part la publication de documents in\u00e9dits et d\u2019interpr\u00e9tations originales (y compris un \u00ab&nbsp;excursus&nbsp;\u00bb sur <em>Fantomas<\/em>) le livre de 2019 offre dans une \u00ab&nbsp;annexe&nbsp;\u00bb l\u2019examen critique de certaines attributions hasardeuses qui n\u2019ont pas manqu\u00e9 de polluer les innombrables publications et catalogues d\u2019exposition mus\u00e9ales consacr\u00e9s \u00e0 Vladimir Tatline depuis les ann\u00e9es soixante et non moins encore r\u00e9cemment (Fondation Beyeler 2015).<\/p>","protected":false},"excerpt":{"rendered":"<p>L\u2019int\u00e9r\u00eat pour l\u2019\u0153uvre de Vladimir Tatline marque les d\u00e9buts du travail d\u2019Andrei Nakov dans le domaine de l\u2019art moderne russe. Il se manifeste d\u00e8s 1972 dans ses commentaires des textes de Nikola\u00ef Taraboukine (Le Dernier tableau). Suit le catalogue de l\u2019exposition Tatlin\u2019s Dream, Londres 1973 et le travail pour la reconstruction des \u0153uvres des fr\u00e8res&#x2026;<\/p>\n<p class=\"more-link-wrap\"><a class=\"more-link\" href=\"https:\/\/andrei-nakov.org\/ru\/vladimir-tatline\/\" rel=\"nofollow\">Lire la suite<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","rs_blank_template":"","rs_page_bg_color":"#ffffff","slide_template_v7":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-11731","page","type-page","status-publish","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Vladimir Tatline &#183; 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