{"id":10236,"date":"2018-02-23T22:21:07","date_gmt":"2018-02-23T21:21:07","guid":{"rendered":"https:\/\/andrei-nakov.org\/?page_id=10236"},"modified":"2018-02-24T12:14:57","modified_gmt":"2018-02-24T11:14:57","slug":"le-peintre-absolu-volume-1","status":"publish","type":"page","link":"https:\/\/andrei-nakov.org\/ru\/le-peintre-absolu-volume-1\/","title":{"rendered":"Le peintre absolu, volume 1"},"content":{"rendered":"

\"Le<\/a>Kazimir MALEWICZ le peintre absolu
\n Sommaire du volume 1<\/h2>\n

\u2018 avant lire<\/a> \u2019<\/p>\n

Indications pratiques<\/p>\n

Ouverture h\u00e9ro\u00efque<\/h3>\n

Chapitre 1\u00a0\u00a0De Kursk \u00e0 Moscou : l’affirmation d’une vocation<\/h4>\n

Impressionnisme<\/h3>\n

Chapitre 2\u00a0\u00a0La ferveur impressionniste : des op\u00e9rations concernant la lumire<\/h4>\n

La d\u00e9mat\u00e9rialisation de la nature<\/p>\n

Symbolisme<\/h3>\n

Chapitre 3\u00a0 \u00a0La recherche du grand mythe cosmogonique<\/h4>\n

Cette vague religiosit\u00e9 qui m’\u00e9meut…<\/p>\n

Ne pas travailler autour de l’\u0153il
\n mais chercher le centre myst\u00e9rieux de la pens\u00e9e.<\/p>\n

Le miroir esth\u00e9tique<\/p>\n

Expressionnisme<\/h3>\n

Chapitre 4\u00a0\u00a0\u00a0Les couleurs s’enflamment dans l’esprit du peintre<\/h4>\n

Moscou — la deuxi\u00e8me capitale de l’art fran\u00e7ais<\/p>\n

Czanne est notre ma\u00eetre \u00e0 tous<\/p>\n

L’\u00e9nergie de la couleur libre<\/p>\n

L’essence de la forme connaissable<\/p>\n

Vers un nouvel ordre tectonique<\/p>\n

Chapitre 5\u00a0\u00a0\u00a0L’esth\u00e9tique h\u00e9ro\u00efque<\/h4>\n

La r\u00e9ponse \u00e0 Matisse<\/p>\n

L’id\u00e9alisation primitiviste : premi\u00e8res visions de la forme \u00ab absolue \u00bb<\/p>\n

De l’utilisation politique du subterfuge \u00ab paysan \u00bb<\/p>\n

Cubisme<\/h3>\n

Chapitre 6\u00a0\u00a0Le volume significatif<\/h4>\n

Perturber l’int\u00e9grit\u00e9 des choses\u00a0
\n La permanence du th\u00e8me paysan<\/p>\n

L’articulation des concepts issus du cubisme<\/p>\n

Futurisme<\/h3>\n

Chapitre 7\u00a0\u00a0Le rythme nouveau<\/h4>\n

Le plus cubiste parmi les cubistes<\/p>\n

\u00c9chapper au darwinisme de la g\u00e9om\u00e9trie<\/p>\n

Simplement la sensation dynamique elle-mme<\/p>\n

De \u00ab la difficult\u00e9 d’\u00e9laborer des nouveaux sch\u00e9mas \u00bb
\n et du danger de l’abstraction sche<\/p>\n

Cubofuturisme<\/h3>\n

Chapitre 8\u00a0 D\u00e9pouiller les choses de l’apparence banale<\/h4>\n

Aux origines d’une nouvelle conscience cosmique :
\n le myst\u00e8re de la quatri\u00e8me dimension<\/p>\n

\u00ab Le cubisme, (cette) \u00e9pith\u00e8te incompl\u00e8te \u00bb<\/p>\n

Chapitre 9\u00a0\u00a0La r\u00e9ponse au futurisme : \u00ab Changer la quantit\u00e9 en qualit\u00e9 \u00bb<\/h4>\n

\u00ab Introduire le d\u00e9sordre dans la construction \u00bb<\/p>\n

\u00ab Le d\u00e9placement des liens du visible \u00bb<\/p>\n

\u00ab Les nouveaux concepts de la convexit\u00e9 \u00bb<\/p>\n

\u00ab Le monde visible ne devient monde r\u00e9el que par l’op\u00e9ration de la pens\u00e9e<\/p>\n

\u00ab Dominer le dynamisme universel \u00bb<\/p>\n

\u00ab L’\u00e9vanouissement des objets \u00bb<\/p>\n

Transrationnalit\u00e9<\/h3>\n

Chapitre 10\u00a0\u00a0\u00ab Au seuil du nouveau printemps \u00bb : la r\u00e9volution de \u00ab Victoire sur le Soleil \u00bb<\/h4>\n

L’enjeu avant-gardiste de la comp\u00e9tition th\u00e9\u00e2trale<\/p>\n

Vers une \u00ab dictature de l’\u0153il \u00bb<\/p>\n

L’arch\u00e9ologie de l’anti-op\u00e9ra<\/p>\n

L’h\u00e9liomachia avenirienne : un myst\u00e8re initiatique des temps modernes<\/p>\n

Le plan en mouvement : fondement du monde nouveau<\/p>\n

Le d\u00e9passement du canon anthropomorphe<\/p>\n

Chapitre 11\u00a0\u00a0\u00ab Les plans apparaissent \u00bb<\/h4>\n

Le d\u00e9passement du militantisme avant-gardiste<\/p>\n

Le passage de l’action sc\u00e9nique \u00e0 l’espace symbolique du tableau<\/p>\n

Le choc de l’image brute, lib\u00e9r\u00e9e de son contexte figuratif<\/p>\n

Au-del\u00e0 de Picasso : la recherche d’un absolu cubiste<\/p>\n

Le collage, ce \u00ab r\u00e8gne du simulacre qui est en art la supr\u00eame h\u00e9r\u00e9sie \u00bb<\/p>\n

Le plan : \u00ab cr\u00e9ation de la raison intuitive \u00bb<\/p>\n

Contre un \u00ab nouveau naturalisme \u00bb<\/p>\n

Explorer les limites de la mimesis cubiste<\/p>\n

La r\u00e9volution alogique<\/h3>\n

Chapitre 12\u00a0\u00a0\u00ab Jeter les valises de la sagesse \u00bb<\/h4>\n

\u00ab Arriver \u00e0 l’inconnu par le d\u00e9r\u00e8glement de tous les sens \u00bb<\/p>\n

\u00ab L’utilisation magique des choses \u00bb<\/p>\n

\u00ab L’art va vers la domination des formes de la nature \u00bb<\/p>\n

\u00ab Bannir (de la peinture) le sourire de la mignonne Psych\u00e9 \u00bb<\/p>\n

La \u00ab chirurgie de la forme \u00bb<\/p>\n

\u00ab D\u00e9lier les n\u0153uds de la sagesse \u00bb<\/p>\n

Index<\/strong><\/p>\n

R\u00e9pertoire des illustrations d’\u0153uvres provenant des collections publiques<\/p>","protected":false},"excerpt":{"rendered":"

Kazimir MALEWICZ le peintre absolu Sommaire du volume 1 \u2018 avant lire \u2019 Indications pratiques Ouverture h\u00e9ro\u00efque Chapitre 1\u00a0\u00a0De Kursk \u00e0 Moscou : l’affirmation d’une vocation Impressionnisme Chapitre 2\u00a0\u00a0La ferveur impressionniste : des op\u00e9rations concernant la lumire La d\u00e9mat\u00e9rialisation de la nature Symbolisme Chapitre 3\u00a0 \u00a0La recherche du grand mythe cosmogonique Cette vague religiosit\u00e9 qui m’\u00e9meut… Ne…<\/p>\n

Lire la suite<\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-10236","page","type-page","status-publish","entry","has-post-thumbnail"],"yoast_head":"\nLe peintre absolu, 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