{"id":10167,"date":"2015-11-20T15:32:03","date_gmt":"2015-11-20T14:32:03","guid":{"rendered":"https:\/\/andrei-nakov.org\/blog\/2015\/11\/20\/le-carre-noir-une-decouverte-fantaisiste\/"},"modified":"2019-05-03T19:04:24","modified_gmt":"2019-05-03T17:04:24","slug":"malevichs-black-square-a-fallacious-discovery","status":"publish","type":"post","link":"https:\/\/andrei-nakov.org\/en\/malevichs-black-square-a-fallacious-discovery\/","title":{"rendered":"Malevich’s Black Square : A fallacious discovery ?"},"content":{"rendered":"

Lately I have been bombarded with questions concerning a \u201csensational discovery\u201d at the Tretyakov Gallery in Moscow whose technicians made x-rays of Malewicz\u2019s Black Square (1915) and are said to have found hitherto \u201cunpublished\u201d images beneath the surface of that painting.<\/p>\n

The ensuing commotion centers on one \u2013 or possible two\u00a0\u2013 compositions (or rather sketches or vestiges of sketches) said to exist under the surface of this painting, celebrated ever since Miroslav Lamac published it in 1967. The museum authorities also claim to have been found an inscription, though neither the handwriting nor the content has yet been identified and the latter (if any ?) remains to be interpreted.<\/p>\n

As for the composition itself, which is located under the topmost paint layer, I have been familiar with it for the last two decades. At the cost of great effort and several years of insistent administrative procedures (and no less thanks to some complicity) I was finally able in the mid-nineties to get the Moscow Museum to x-ray Black Square. I published this x-ray, which was reconstructed from several fragments, on page 153 of the fourth volume of my monograph Kazimir Malewicz, le peintre absolu (Paris, 2007) in the chapter devoted to the artist\u2019s painting technique. The London publisher Lund Humphries brought out this book in English in 2010 under the title Malevich, Painting the Absolute (the x-ray is reproduced on p. 154 of Volume 4).<\/p>\n

My study garnered the attention of experts at the time and was reprinted in English in the scientific journal of the IRSA Institute in Krakow, Poland (\u201cDevices, Style and Realisation: Professionalism in Malewicz\u2019s Painting Technique,\u201d Artibus et Historiae, no. 57 (vol. XXXIX), Vienna-Krakow 2008, pp. 183-239, in the English translation of Chapter 31 of Kazimir Malewicz : le peintre absolu, Paris: Thalia Edition, 2007). A positive review of my research also appeared in the British journal ArtWatch UK (vol. 28, 2012).<\/p>\n

Widely published reports of this \u201cfind\u201d in Russian \u2014 and French \u2014 media remind me of a short satiric text that Viktor Shklovsky devoted to the \u201crediscovery\u201d of the alarm clock by an ingenious Russian peasant (I published a French translation of it in 1973 in Shklovsky\u2019s\u00a0 La Marche du cheval, Paris, \u00c9ditions Champ Libre).<\/p>\n

I am delighted to observe that a number of my Russian colleagues have rallied to my approach using x-rays of artworks, a procedure I have long been advocating every time a new attribution of a Malewicz painting is submitted to me. However, I insist that x-rays of paintings that have already been taken, especially those that have been previously published, need to be remembered if one is truly concerned with advancing knowledge, saving time and unnecessary expenses.<\/p>\n

\"Doctor<\/a>On the other hand I would suggest that the Tretyakov Gallery x-ray the painting Doctor Mabuzo (Docteur Mabuse) which, I believe, has been incorrectly attributed to Malewicz. This canvas has been in the Tretyakov\u2019s collection since the late 1950s and on these grounds was included misleadingly in the painter\u2019s latest retrospective (2013-2014, Amsterdam, Bonn and the London Tate). If it were x-rayed, perhaps it would then become obvious that the composition is nothing more than a common advertisement board. To be sure it was inspired by Suprematism; however, it was not actually executed by Malewicz but by an unknown student of Ilya Chashnik\u2019s, as attested by an exhibition photograph taken in 1926 and published at the time \u2013 an exhibition of \u201cdecorative works\u201d made by students at Leningrad\u2019s Decorative Institute.<\/p>\n

The commotion around this so-called \u201cdiscovery\u201d recalls the words of the French writer Maurice Roche : \u201cWithout memory everything is new.\u201d<\/p>","protected":false},"excerpt":{"rendered":"

Lately I have been bombarded with questions concerning a \u201csensational discovery\u201d at the Tretyakov Gallery in Moscow whose technicians made x-rays of Malewicz\u2019s Black Square (1915) and are said to have found hitherto \u201cunpublished\u201d images beneath the surface of that painting. The ensuing commotion centers on one \u2013 or possible two\u00a0\u2013 compositions (or rather sketches…<\/p>\n

Lire la suite<\/a><\/p>","protected":false},"author":2,"featured_media":9611,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[392],"tags":[],"class_list":["post-10167","post","type-post","status-publish","format-standard","has-post-thumbnail","category-malewicz-en","entry"],"yoast_head":"\nMalevich's Black Square : A fallacious discovery ? · Andr\u00e9i Nakov, historien d'art<\/title>\n<meta name=\"description\" content=\"Une \u00ab d\u00e9couverte \u00bb de la Galerie Tr\u00e9tiakov qui se r\u00e9v\u00e8le fantaisiste. 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