{"version":"1.0","provider_name":"Andr\u00e9i Nakov, historien d&#039;art","provider_url":"https:\/\/andrei-nakov.org\/en\/","title":"Malewicz : Questions of Attribution","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"B4AvGLUxZL\"><a href=\"https:\/\/andrei-nakov.org\/en\/malewicz-questions-of-attribution\/\">Malewicz&nbsp;: Questions of Attribution<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/andrei-nakov.org\/en\/malewicz-questions-of-attribution\/embed\/#?secret=B4AvGLUxZL\" width=\"600\" height=\"338\" title=\"&#8220;Malewicz&nbsp;: Questions of Attribution&#8221; &#8212; Andr\u00e9i Nakov, historien d&#039;art\" data-secret=\"B4AvGLUxZL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/andrei-nakov.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/andrei-nakov.org\/wp-content\/uploads\/2018\/05\/malewicz-s-249.jpg","thumbnail_width":816,"thumbnail_height":1219,"description":"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 For the last few years, friends and colleagues have been asking me to clarify the matter of the sheer quantity of Malewicz (Kasimir Malevich) attributions. Some of these attributions are related directly to my Catalogue Raisonn\u00e9\u00a0(Paris, 2002). Others pertain to the endless tide of recent imitations. I have long preferred to devote my energy&#x2026;Lire la suite"}